We Raised the Pick-Me. Our Daughters Are Roasting Her.
My 13-year-old and her friends cannot stand Pick-Me Girls. My generation? We practically had a soundtrack teaching us how to become one. A hilarious…
Reflections on feminine embodiment, the Good Girl Pattern™, sexuality, relationship, reclamation, and the return to ESS/ence.
Dolly Parton never accepted the false choice between beauty and substance, softness and power, or visibility and privacy. Her life reveals the difference between curating ourselves for approval and adorning ourselves in service of truth.
My 13-year-old and her friends cannot stand Pick-Me Girls. My generation? We practically had a soundtrack teaching us how to become one. A hilarious…
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There comes a moment when the ways we learned to stay loved begin to cost us our relationship with ourselves. The return is not…
Dolly Parton never accepted the false choice between beauty and substance, softness and power, or visibility and privacy. Her life reveals the difference between curating ourselves for approval and adorning ourselves in service of truth.
My 13-year-old and her friends cannot stand Pick-Me Girls. My generation? We practically had a soundtrack teaching us how to become one. A hilarious conversation with my daughter led me somewhere unexpected: from roasting the Pick-Me, to understanding why young women reject her, to recognizing the vulnerable Protector underneath the performance.
There comes a moment when the ways we learned to stay loved begin to cost us our relationship with ourselves. The return is not about becoming someone new. It is about remembering the woman who was there before protection became identity. This is the work of reclamation.